We are pleased to announce that descriptions and accompanying scans for the records of prominent Vancouver-based jeweller Toni Cavelti are now available. The Toni Cavelti fonds contains over 2,400 drawings and design materials, promotional materials, correspondence related to the design of a necklace for Queen Elizabeth, and an unpublished autobiography. We have made a small subset of his drawings and transparencies available on flickr.
A promotional photograph showing a gold necklace.
Reference code: AM1670-S2-F3-: 2016-051.385
Cavelti was born in Illanz, Switzerland in 1931. When he was fifteen he began his apprenticeship with the goldsmith Richard Bolli in St. Gallen, Switzerland. He completed his apprenticeship in 1950. Soon afterward he moved to Geneva and began work at a watch and jewellery atelier in an industrial setting. There he felt unable to fully utilize his skills and expand his craftsmanship. After seeing a painting of the Vancouver Harbour in a display at a hotel, he made the decision to move to Canada. He arrived in Vancouver on June 13, 1954. Continue reading
This past November I attended the 2016 conference of the Association of Moving Image Archivists (AMIA). It took place in Pittsburgh, Pennsylvania – the City of Bridges. Here are a few of the highlights.
The Roberto Clemente Bridge – one of 446 in Pittsburgh! Photograph by Jana Grazley
A pre-conference tradition since 2013 is the AMIA/DLF (Digital Library Federation) Hack Day, wherein participants collaborate on short projects to develop solutions to various problems associated with moving image preservation and access. Hack Day is a free event focused on practical outcomes and skill-sharing amongst developers and non-developers. This year’s projects included: Continue reading
We are excited to announce that 610 photographs from the Vancouver Legacies Program records series are now available online.
Rendering of Granville Bridge Gateway of kinetic signs, a Legacies project that was not realized, ca. 1985. Reference code: PUB-: PD2471, page 7
The Vancouver Legacies Program was initiated by City Council in 1985 to prepare Vancouver for hosting the upcoming Centennial celebrations and Expo ’86 festivities.
In the words of Mayor Mike Harcourt, the purpose of the Vancouver Legacies Program was “to embellish our city with a fine collection of legacies in honor of our 1986 Centennial.” Continue reading
Late last week, our digitization efforts reached a significant milestone: we now have over 100,000 digital objects available online for your use and re-use!
Screenshot of Browse Digital Objects result on searcharchives.vancouver.ca
We’ll be featuring some of the new content in future blog posts, but here are some examples of what’s been added recently: Continue reading
Thanks to funding from the British Columbia History Digitization Program and the Friends of the Vancouver City Archives, we’ve recently completed a project to digitize nearly five thousand photographs and some graphic materials from the Vancouver Centennial Commission fonds that you can easily view and re-use. In addition, we’ve digitized another 1,810 images that are under copyright to other parties, but which can be viewed at the Archives.
Mayor Mike Harcourt posing in a cowboy hat in front of a display of some of Vancouver’s Centennial gifts. Reference code AM1576-S6-12-F49-: 2011-010.2027
We’ve written about the Centennial Commission records before. Now you are able to see photographs of the events and activities sponsored by the Commission. They document a wide variety of activities, such as sporting events, community events, awards ceremonies, birthday parties and the antics of Tillicum the otter mascot. There was a lot more happening in Vancouver in 1986 than just Expo. Continue reading
In late November, I attended the annual conference of the Association of Moving Image Archivists (AMIA) in Portland, Oregon. Here are a few of the highlights.
Portlandia at night
Once again, AMIA partnered with the Digital Library Foundation (DLF) on a one-day event where archivists and developers could work together on digital problems. This year’s award-winning projects were: Continue reading
It’s that time of year again, the season of giving. Stuck for holiday gift ideas? Why not give the gift of local history? How about creating your own artwork using historical photographs of Vancouver? Sound intriguing? Then read on for a step-by-step guide to downloading hi-res photos from our online database.
The City of Vancouver Archives has approximately 80,000 high-resolution photographs that are available for download from our online database. They are either Public Domain or City of Vancouver copyrighted images, which means that you are free to download and use them for anything your heart desires. The creative possibilities are endless, so let’s get started.
- First, navigate to the City of Vancouver online database – searcharchives.vancouver.ca
1. Search Archives main page. Select “Advanced search” at top of page.
We’ve had great response to making Goad’s 1912 Fire Insurance map available as a Vanmap layer and as downloadable open data. We received a request to make it available in a different type of service so that the information can be used a variety of ways. As a result of all the feedback, we plan to contribute the information through Open Historical Map and the Province of British Columbia’s innovative BC Developers’ Exchange is collaborating with us to help make it happen.
BC DEVELOPERS’ EXCHANGE
The BC Developers’ Exchange is an experiment to find ways that help the public and private tech sectors innovate and collaborate. They are helping share code created by BC’s public sector and collaborating with vendors to make that code better. The Exchange is also supporting the sharing and re-use of other digital resources. Continue reading
This post is of special interest to the mapping community and may be too technical for some researchers.
We digitize all of our images—photographs, maps and text—as TIFF master files, which are processed through our digital preservation system and preserved in our secure digital storage. We have been making all our digitized images available to researchers in our online search in JPG format. It allows us to make high-resolution files available in a fairly small size so they can be opened and viewed quickly. The quality is good enough for most uses.
Clicking on this map image will bring up the high-resolution JPG version, which can then be downloaded. Note the usual descriptive metadata below the image.
The mapping community has told us that JPG files are not good enough for their use. TIF or PNG formats give the best results when manipulating files in mapping software. The original scanned files, without any compression artifacts, would be the most useful.
To support the use and re-use of these valuable resources by everyone, we’re making losslessly compressed versions of the original TIFFs of our scanned maps available for download. We’ve added a link to the TIFF of a map to our online search as part of the descriptive record for that map.
Scroll down the description to find the link to the TIFF on the City’s FTP site.
So that you can verify that the file downloaded correctly and completely, we’ve included the full file size and the MD5 checksum.
We’d like to thank City Information Technology, whose recent upgrade of the City’s FTP site made it possible for us to make the files available this way.
In the last couple of years, we’ve been replacing our old, analogue microform reader-printers with new digital microform scanners. We’d like to show you why researchers like them so much.
Microform workstation with Indus 4601-SL scanner.
Microforms still have to be used by researchers, as we have hundreds of reels of film and thousands of fiche and aperture cards. These new scanners provide fast and convenient viewing and saving of images.
The workstations can be used with many styles of microform and will also scan to file or scan to print.
The scanners will work with all these different styles and colours of fiche, aperture card and film.
The scanners produce crisp, high-resolution scans and will scan in colour, greyscale or bi-tonal. Images can be cropped and rotated. Scans can be saved in common formats like PDF or TIFF.
Screenshot from a fire insurance plan.
The workstations have a wireless internet connection, so saved scans can be sent through email or dropped into cloud storage, as well as copied to a flash drive. Note that if you keep a copy of a work that is under copyright to a party that is not the City of Vancouver, you are responsible for obtaining permission of the copyright owner for publication. You may use the copy for fair dealing purposes covered by the Canadian Copyright Act, such as private study.
The scanners are attached to 27” monitors to provide a readable full-screen view of maps, plans and other large-format originals.
If you have used one of our microfilm scanners, we’d love to hear your feedback!