This fall, the City of Vancouver Archives will present its fifth annual screening “Vancouver – A Progressive City!” at the Vancity Theatre. In recent years, our screenings have been very popular. So, for the first time this November, we will be showing multiple screenings.
In collaboration with local historian Michael Kluckner, we will be presenting new material that focuses on Vancouver from the 1930s-1960s. There will be selections from a wide range of newsreels, home movies, industrial and promotional films.
Flight attendant passing a film to a man at the airport. 1946. Reference code: AM1184-S1-: CVA 1184-2349. (Note: This photograph has been altered for promotional purposes.)
Michael Kluckner will also provide historical commentary with emphasis on Vancouver’s workforce, celebrations, and the city’s commerce, heritage and culture. Some of this year’s archival highlights will include the construction of the Lions Gate Bridge, early milk delivery service, the Grey Cup and Shriners parades, and television spots reporting on the community. The screening will also feature a special cameo appearance of Vancouver’s first city archivist, Major J.S. Matthews. Continue reading
The use of colour in film remains one of the longest and richest currents in the history of motion pictures. From tinting to toning, filmmakers have tried several incredible techniques to introduce colour into moving images almost since the medium’s beginnings. One special process that developed after a few decades was Kodak Kodacolor, which utilized lenticular technology to create a three-tone colour representation. Only produced for four years from 1928-1932, the Archives is lucky to house some of these rare and special films.
Lenticular Kodacolor under 6.4x magnification. Photo by Jesse Cumming.
Looking directly at the film with a naked eye, it appears no different than regular black and white 16mm film. This is because the colour information is encoded into a black and white film: no coloured dyes are used. Continue reading
David Marriott began volunteering at the Archives last September and in that time has dedicated around 300 hours to the Archives! David holds a Bachelor of Fine Arts Degree with a major in Film Production from Concordia University’s Mel Hoppenheim School of Cinema. David is the writer/director of numerous short films including Dapper (2007), winner of The Muse Entertainment Enterprises Scholarship, and Dreamland (2009), winner of the Special Jury Mention, Festival des Films de la Relève . His most recent film is the short Backlot (2012). In 2010, David co-created the Black and White Film Foundation, a non-profit screening black and white films at the J.A. De Seve Theatre.
David at our 2011 screening, “Celebrating Yaletown Productions” at the Vancity Theatre.
At the Archives, David has had the opportunity to work on many projects. The Celebrating Yaletown Productions screening was a special event for which he helped design advertising and event materials. David also had the opportunity to sit in the editing suite with Michael Collier, the donor and curator, while the Digibeta tape for the show was being created. This summer David is helping with our screening for 2012. He will not be in town to enjoy the fruits of his labours, but if you will be here mark November 18th on your calendar now for Vintage Vancouver! Continue reading