We had another successful run showcasing our moving image series at the Vancity Theatre this past November. Every year, we are thrilled to see the enormous interest our screenings generate. We are aware that due to sellouts, the theatre must turn away many hopeful theatre goers. To accommodate as many people as possible, each year we will continue to hold multiple screenings, and rerun previous years’ screenings. You can also view all past shows on our YouTube channel, including this year’s Vancouver – A Distant Mirror and Reflecting the City (Redux). Please note that online content will not include pre-screening projected snipes and presentations, or any commentary or music accompaniment. For more information about the most recent screenings, please visit our previous post.
We hope to see you at our 2016 show!
Listed below are the four sections of Vancouver – A Distant Mirror, and the individual archival films featured. Continue reading →
The Archives returns to the Vancity Theatre this November with Vancouver – A Distant Mirror. Over the summer, we worked with local historian and artist Michael Kluckner to program this year’s archival screening. This year’s roster will premiere newly digitized films not yet available in our online database. We will be showing home movies, and industrial and promotional films from the 1920s to 1960s that focus on the city’s landmarks, transportation, industry and domestic spheres. Here is the trailer for this year’s screening.
As with previous screenings, this showing will feature two live elements. Continue reading →
We have a specialized, custom-built freezer to provide the highest standard of care for the storage of our photographic materials. It was the first institutional freezer built to the specifications researched by the Smithsonian Institution and it was officially opened by Mayor Philip Owen on February 20, 2002.
Mayor Owen is offered scissors to cut the ribbon on the freezer in 2002.
Why a Freezer?
Some types of photographic materials are unstable and cold storage will prolong their useful lives. Storage at freezer temperatures will prolong their lives the longest.
Without cold storage, cellulose acetate negatives wrinkle and become brittle
as they give off acetic acid (vinegar). Continue reading →
This fall, the City of Vancouver Archives will present its fifth annual screening “Vancouver – A Progressive City!” at the Vancity Theatre. In recent years, our screenings have been very popular. So, for the first time this November, we will be showing multiple screenings.
In collaboration with local historian Michael Kluckner, we will be presenting new material that focuses on Vancouver from the 1930s-1960s. There will be selections from a wide range of newsreels, home movies, industrial and promotional films.
Flight attendant passing a film to a man at the airport. 1946. Reference code: AM1184-S1-: CVA 1184-2349. (Note: This photograph has been altered for promotional purposes.)
Michael Kluckner will also provide historical commentary with emphasis on Vancouver’s workforce, celebrations, and the city’s commerce, heritage and culture. Some of this year’s archival highlights will include the construction of the Lions Gate Bridge, early milk delivery service, the Grey Cup and Shriners parades, and television spots reporting on the community. The screening will also feature a special cameo appearance of Vancouver’s first city archivist, Major J.S. Matthews. Continue reading →
The use of colour in film remains one of the longest and richest currents in the history of motion pictures. From tinting to toning, filmmakers have tried several incredible techniques to introduce colour into moving images almost since the medium’s beginnings. One special process that developed after a few decades was Kodak Kodacolor, which utilized lenticular technology to create a three-tone colour representation. Only produced for four years from 1928-1932, the Archives is lucky to house some of these rare and special films.
Lenticular Kodacolor under 6.4x magnification. Photo by Jesse Cumming.
Looking directly at the film with a naked eye, it appears no different than regular black and white 16mm film. This is because the colour information is encoded into a black and white film: no coloured dyes are used. Continue reading →
David Marriott began volunteering at the Archives last September and in that time has dedicated around 300 hours to the Archives! David holds a Bachelor of Fine Arts Degree with a major in Film Production from Concordia University’s Mel Hoppenheim School of Cinema. David is the writer/director of numerous short films including Dapper (2007), winner of The Muse Entertainment Enterprises Scholarship, and Dreamland (2009), winner of the Special Jury Mention, FestivaldesFilms de la Relève . His most recent film is the short Backlot (2012). In 2010, David co-created the Black and White Film Foundation, a non-profit screening black and white films at the J.A. De Seve Theatre.
David at our 2011 screening, “Celebrating Yaletown Productions” at the Vancity Theatre.
At the Archives, David has had the opportunity to work on many projects. The Celebrating Yaletown Productions screening was a special event for which he helped design advertising and event materials. David also had the opportunity to sit in the editing suite with Michael Collier, the donor and curator, while the Digibeta tape for the show was being created. This summer David is helping with our screening for 2012. He will not be in town to enjoy the fruits of his labours, but if you will be here mark November 18th on your calendar now for Vintage Vancouver! Continue reading →