This is the second and final post on the 2018 Steffens-Colmer Studios and Don Coltman Company Photographs Digitization Project, funded by the British Columbia History Digitization Program.
With thanks to funding from the British Columbia History Digitization Program we are pleased to announce that we have recently completed a project to digitize 5,300 photographs by commercial photographer Don Coltman. The photographs are all in the public domain and have been uploaded to the Archives online database with accompanying descriptions and are available to be downloaded, re-printed and used! They join the ~5,000 Coltman photographs previously digitized.
Don Coltman was born Alfred Donald Coltman in 1898 in Lutterworth, Leicestershire, England. He arrived in Canada in 1904 with his mother Ada, father Alfred Birbek and brother Rex. The family lived and worked around Lethbridge, Alberta. Coltman briefly worked for Canadian Pacific Railway in Lethbridge until 1916 when he joined the Canadian Battalion and was sent to France. During the war, he was buried alive, and then dug out and returned to England with a badly crushed foot. He refused to allow the doctors to amputate his leg; he was left with some damage but maintained the use of his leg for the rest of his life. Continue reading
This is the first in a series of posts on the 2018 Steffens-Colmer Studios and Don Coltman Company Photographs Digitization Project, funded by the British Columbia History Digitization Program.
We are working on a project to digitize thousands of negatives created by commercial photographer Don Coltman. His photographs are all public domain copyright, cover a wide variety of subjects, and will be freely available for use once the project is finished. These negatives are made of rapidly deteriorating cellulose acetate, which is a health hazard. They are stored frozen to keep them from deteriorating further. We had to develop a way to digitize the negatives that would be
- safe for our staff (reduce their exposure to a hazard) and
- safe for the negatives (reduce their time out of freezer storage)
Eric Vale. July 1949. Photographer Don Coltman. Detail from Item Identifier : CVA 586-8194.
Thanks to funding from the British Columbia History Digitization Program we are pleased to announce the addition of over 6,900 newly-digitized photographs to our online database (with a subset on flickr). The photographs are the result of two City of Vancouver heritage inventory projects, one that took place in 1978 and the other from 1985-86.
Pedestrians outside of Melonari’s Ladies Shoes shop at 1301 Commercial Drive. Reference code: COV-S639-1-F10-: CVA 790-0272
In the past, these images have been difficult to access. They are acetate negatives and are stored in the Archives’ frozen storage vault. They also did not have item level descriptions in the database. It will now be much easier for researchers to find and use these photographs which provide valuable insight into Vancouver’s heritage houses, buildings, public structures and parks. Although the structures were the main focus of the photographs, they also show vehicles, pedestrians, streets, storefronts, signage and various other aspects of life in Vancouver. Continue reading
Thanks to funding from the Friends of the Vancouver City Archives and the generous support of a private donor we are pleased to announce that over 6,800 photographs showing the 1976 Habitat Forum are now available online.
Habitat Forum compass rose painted on the Jericho Wharf by Lenore Barron and Frank York. Reference code: AM1671-: CVA 395-05267
Habitat Forum took place at Jericho Beach Park from May 27th to June 11th, 1976. It was a conference/exposition that happened in conjunction with the “official” U.N. Habitat conference. According to the Habitat Forum program, found in the Archives’ United Nations Conference on Human Settlements fonds, “Habitat Forum is the collective name for the non-governmental activities related to Habitat: the United Nations Conference on Human Settlements.” Entry to the “official” UN Habitat conference was limited to government delegates, selected NGO officials and press. The Habitat Forum provided a space for members of the public to engage with the conference and monitor the U.N. sessions via closed circuit television remotely from the Forum site. Continue reading
We are pleased to announce that descriptions and accompanying scans for the records of prominent Vancouver-based jeweller Toni Cavelti are now available. The Toni Cavelti fonds contains over 2,400 drawings and design materials, promotional materials, correspondence related to the design of a necklace for Queen Elizabeth, and an unpublished autobiography. We have made a small subset of his drawings and transparencies available on flickr.
A promotional photograph showing a gold necklace.
Reference code: AM1670-S2-F3-: 2016-051.385
Cavelti was born in Illanz, Switzerland in 1931. When he was fifteen he began his apprenticeship with the goldsmith Richard Bolli in St. Gallen, Switzerland. He completed his apprenticeship in 1950. Soon afterward he moved to Geneva and began work at a watch and jewellery atelier in an industrial setting. There he felt unable to fully utilize his skills and expand his craftsmanship. After seeing a painting of the Vancouver Harbour in a display at a hotel, he made the decision to move to Canada. He arrived in Vancouver on June 13, 1954. Continue reading
This past November I attended the 2016 conference of the Association of Moving Image Archivists (AMIA). It took place in Pittsburgh, Pennsylvania – the City of Bridges. Here are a few of the highlights.
The Roberto Clemente Bridge – one of 446 in Pittsburgh! Photograph by Jana Grazley
A pre-conference tradition since 2013 is the AMIA/DLF (Digital Library Federation) Hack Day, wherein participants collaborate on short projects to develop solutions to various problems associated with moving image preservation and access. Hack Day is a free event focused on practical outcomes and skill-sharing amongst developers and non-developers. This year’s projects included: Continue reading
We are excited to announce that 610 photographs from the Vancouver Legacies Program records series are now available online.
Rendering of Granville Bridge Gateway of kinetic signs, a Legacies project that was not realized, ca. 1985. Reference code: PUB-: PD2471, page 7
The Vancouver Legacies Program was initiated by City Council in 1985 to prepare Vancouver for hosting the upcoming Centennial celebrations and Expo ’86 festivities.
In the words of Mayor Mike Harcourt, the purpose of the Vancouver Legacies Program was “to embellish our city with a fine collection of legacies in honor of our 1986 Centennial.” Continue reading
Late last week, our digitization efforts reached a significant milestone: we now have over 100,000 digital objects available online for your use and re-use!
Screenshot of Browse Digital Objects result on searcharchives.vancouver.ca
We’ll be featuring some of the new content in future blog posts, but here are some examples of what’s been added recently: Continue reading
Thanks to funding from the British Columbia History Digitization Program and the Friends of the Vancouver City Archives, we’ve recently completed a project to digitize nearly five thousand photographs and some graphic materials from the Vancouver Centennial Commission fonds that you can easily view and re-use. In addition, we’ve digitized another 1,810 images that are under copyright to other parties, but which can be viewed at the Archives.
Mayor Mike Harcourt posing in a cowboy hat in front of a display of some of Vancouver’s Centennial gifts. Reference code AM1576-S6-12-F49-: 2011-010.2027
We’ve written about the Centennial Commission records before. Now you are able to see photographs of the events and activities sponsored by the Commission. They document a wide variety of activities, such as sporting events, community events, awards ceremonies, birthday parties and the antics of Tillicum the otter mascot. There was a lot more happening in Vancouver in 1986 than just Expo. Continue reading
In late November, I attended the annual conference of the Association of Moving Image Archivists (AMIA) in Portland, Oregon. Here are a few of the highlights.
Portlandia at night
Once again, AMIA partnered with the Digital Library Foundation (DLF) on a one-day event where archivists and developers could work together on digital problems. This year’s award-winning projects were: Continue reading