A few years ago we were delighted to receive the personal papers of author and historian Paul Yee. Yee is one of the founders of the Pender Guy Radio Collective and the author of numerous books for children as well as Saltwater City: An Illustrated History of the Chinese in Vancouver. His records were made available for research in 2014, and, thanks to funding from the Friends of the Vancouver City Archives in 2017 and 2018, we were able to digitize all the photographs in the Paul Yee fonds and now have them available online.
The photographs in the fonds total about 3,700. Many of them come from Yee’s family and his own work, however some were given to Yee from families during interviews and research and Yee kept them as part of his records. About half the photographs form a single photograph series, while the rest are mixed with textual records in files throughout the fonds. Continue reading
We are very pleased to announce that all 1,936 posters in the BC Gay and Lesbian Archives (BCGLA) collection are now available online, thanks to funding from the National Heritage Digitization Strategy (NHDS). The B.C. Gay and Lesbian Archives Audiovisual and Graphic Material Digitization Project was chosen as one of 21 national projects that received funding from the NHDS late last year. This funding, made possible thanks to the generous support of a private donor, allows cultural heritage institutions and organizations to digitize and make accessible Canadian documentary heritage materials. The Archives received $71,388 to digitize, describe and provide online access to almost 2,000 posters, 5,400 photographs, and over 200 video and audio recordings from the BCGLA dating back as far as the 1940s.
The digitization project began by re-housing, describing and digitizing the posters series. With a grand total of 1,936 posters, the collection represents a broad range of events and is an interesting example of the history of graphic design in Vancouver. Continue reading
This is the second and final post on the 2018 Steffens-Colmer Studios and Don Coltman Company Photographs Digitization Project, funded by the British Columbia History Digitization Program.
With thanks to funding from the British Columbia History Digitization Program we are pleased to announce that we have recently completed a project to digitize 5,300 photographs by commercial photographer Don Coltman. The photographs are all in the public domain and have been uploaded to the Archives online database with accompanying descriptions and are available to be downloaded, re-printed and used! They join the ~5,000 Coltman photographs previously digitized.
Don Coltman was born Alfred Donald Coltman in 1898 in Lutterworth, Leicestershire, England. He arrived in Canada in 1904 with his mother Ada, father Alfred Birbek and brother Rex. The family lived and worked around Lethbridge, Alberta. Coltman briefly worked for Canadian Pacific Railway in Lethbridge until 1916 when he joined the Canadian Battalion and was sent to France. During the war, he was buried alive, and then dug out and returned to England with a badly crushed foot. He refused to allow the doctors to amputate his leg; he was left with some damage but maintained the use of his leg for the rest of his life. Continue reading
Thanks to the generous attendees of the Hugh Pickett Gala in 2017 and the Friends of the Vancouver City Archives, we are pleased to announce that the descriptions for the Hugh Pickett fonds are now available and searchable online.
Hugh Pickett was born and raised in Vancouver. His first job was as an usher at the Colonial Theatre in 1928 – he always had a love for show business. He later worked for Dingwall Cotts Steamship Co. and served in the Canadian Army as the secretary to Brigadier Langdon out of an office in the old Vancouver Hotel.
Portrait of Hugh Pickett in 1943 (from scrapbook). Reference code: AM1674-S8-F09
In 1950 Pickett, along with Holly Maxwell, took over Hilker Attractions and re-named it Famous Artists Ltd. Pickett was Company Manager from 1947 until 1964. Famous Artists Ltd. was “an artistic management enterprise dedicated to sponsoring appearances by artists and by ballet and theatre companies in Vancouver and Victoria.” Known as Vancouver’s impresario it is no surprise that Pickett’s records are peppered with names and photographs of local, national and international celebrities and artists. Continue reading
Thanks to funding from the British Columbia History Digitization Program we are pleased to announce the addition of over 6,900 newly-digitized photographs to our online database (with a subset on flickr). The photographs are the result of two City of Vancouver heritage inventory projects, one that took place in 1978 and the other from 1985-86.
Pedestrians outside of Melonari’s Ladies Shoes shop at 1301 Commercial Drive. Reference code: COV-S639-1-F10-: CVA 790-0272
In the past, these images have been difficult to access. They are acetate negatives and are stored in the Archives’ frozen storage vault. They also did not have item level descriptions in the database. It will now be much easier for researchers to find and use these photographs which provide valuable insight into Vancouver’s heritage houses, buildings, public structures and parks. Although the structures were the main focus of the photographs, they also show vehicles, pedestrians, streets, storefronts, signage and various other aspects of life in Vancouver. Continue reading
Thanks to funding from the Friends of the Vancouver City Archives and the generous support of a private donor we are pleased to announce that over 6,800 photographs showing the 1976 Habitat Forum are now available online.
Habitat Forum compass rose painted on the Jericho Wharf by Lenore Barron and Frank York. Reference code: AM1671-: CVA 395-05267
Habitat Forum took place at Jericho Beach Park from May 27th to June 11th, 1976. It was a conference/exposition that happened in conjunction with the “official” U.N. Habitat conference. According to the Habitat Forum program, found in the Archives’ United Nations Conference on Human Settlements fonds, “Habitat Forum is the collective name for the non-governmental activities related to Habitat: the United Nations Conference on Human Settlements.” Entry to the “official” UN Habitat conference was limited to government delegates, selected NGO officials and press. The Habitat Forum provided a space for members of the public to engage with the conference and monitor the U.N. sessions via closed circuit television remotely from the Forum site. Continue reading
We are pleased to announce that descriptions and accompanying scans for the records of prominent Vancouver-based jeweller Toni Cavelti are now available. The Toni Cavelti fonds contains over 2,400 drawings and design materials, promotional materials, correspondence related to the design of a necklace for Queen Elizabeth, and an unpublished autobiography. We have made a small subset of his drawings and transparencies available on flickr.
A promotional photograph showing a gold necklace.
Reference code: AM1670-S2-F3-: 2016-051.385
Cavelti was born in Illanz, Switzerland in 1931. When he was fifteen he began his apprenticeship with the goldsmith Richard Bolli in St. Gallen, Switzerland. He completed his apprenticeship in 1950. Soon afterward he moved to Geneva and began work at a watch and jewellery atelier in an industrial setting. There he felt unable to fully utilize his skills and expand his craftsmanship. After seeing a painting of the Vancouver Harbour in a display at a hotel, he made the decision to move to Canada. He arrived in Vancouver on June 13, 1954. Continue reading
We are excited to announce that 610 photographs from the Vancouver Legacies Program records series are now available online.
Rendering of Granville Bridge Gateway of kinetic signs, a Legacies project that was not realized, ca. 1985. Reference code: PUB-: PD2471, page 7
The Vancouver Legacies Program was initiated by City Council in 1985 to prepare Vancouver for hosting the upcoming Centennial celebrations and Expo ’86 festivities.
In the words of Mayor Mike Harcourt, the purpose of the Vancouver Legacies Program was “to embellish our city with a fine collection of legacies in honor of our 1986 Centennial.” Continue reading